The Ketchup Problem
In January 1995, a thirty-year-old programmer who had spent the previous several years trying and failing to become a painter walked into a gallery in New York and proposed to build it a website. The gallery was not interested. Neither was the next one, nor the one after that. Paul Graham and his friend Robert Morris — the same Robert Morris who, seven years earlier, had accidentally broken the entire internet with a self-replicating worm and become the first person prosecuted under the Computer Fraud and Abuse Act — had started a company called Artix with the plan of putting art galleries online. The idea was, by Graham's own later admission, thoroughly boneheaded. Art dealers, he discovered, were "the most technophobic people on earth. They didn't become art dealers after a difficult choice between that and a career in the hard sciences." Most had never seen the Web. Some didn't even own computers. Graham and Morris sank to building sites for free, and still couldn't convince galleries to participate.
The failure was clarifying. "Gradually it dawned on us that instead of trying to make Web sites for people who didn't want them, we could make sites for people who did." They ditched Artix and started Viaweb, the first software-as-a-service company — a web application that let anyone build an online store, hosted entirely in a browser, years before the term "SaaS" existed. Yahoo acquired it in 1998 for roughly $49 million. Graham suddenly had money, which meant he suddenly had to think about something he'd never considered: how not to lose it.
What happened next is stranger than the exit. Graham did not start another company. He did not join a venture fund. He did not move to Sand Hill Road. He went back to painting, then to writing essays — long, digressive, intellectually omnivorous pieces published on a personal website with the production values of a 1997 Geocities page. The essays were not about venture capital or startup strategy, at least not exclusively. They were about Lisp dialects, Renaissance art, the nature of taste, why nerds are unpopular in high school, how to disagree productively, and whether cities have personalities. They were, in aggregate, the closest thing the internet has produced to a philosophical system — one that happened to generate, as a side effect, the most influential startup accelerator in history.
Y Combinator, which Graham co-founded in 2005 with his wife Jessica Livingston, Robert Morris, and Trevor Blackwell, has funded over 4,000 startups. Among them: Airbnb, Stripe, Dropbox, Reddit, Coinbase, DoorDash, Twitch, and Instacart. More than 200 are now valued at over a billion dollars. The combined valuation of YC companies exceeds $600 billion. These numbers are staggering enough that they tend to obscure the deeper strangeness of what Graham actually built — not a financial vehicle but an epistemological one, a machine for identifying talent in its rawest form and subjecting it to a theory of knowledge derived, in roughly equal parts, from Lisp programming, Italian painting, and an Englishman's abiding suspicion of institutional authority.
The through-line of Graham's career is not entrepreneurship. It is the relentless compression of complex processes into their simplest possible expression — the search for the function that generates the function, the Y combinator of the company's name. In mathematics, the Y combinator is a higher-order function that enables recursion without requiring a function to have a name. Graham named his firm after it partly as "a secret signal to the kind of people we hoped would apply." The signal encoded the entire thesis: that the most important things are built by people who don't yet have names, working on ideas that don't yet have categories, in a process that refers only to itself.
By the Numbers
The Graham Orbit
4,000+Startups funded through Y Combinator since 2005
200+YC-backed companies now valued at $1B+
$600B+Estimated combined valuation of YC portfolio companies
~25MAnnual page views on paulgraham.com
$49MApproximate Yahoo acquisition price for Viaweb (1998)
227Applications to YC's first experimental summer program (2005)
6%Median equity stake YC took in early batches
The Philosopher Who Learned to Program
Graham was born on November 13, 1964, in England. He grew up partly in Pittsburgh — Monroeville, specifically, a suburb he would later describe with the affectionate contempt of someone who understood exactly what the place lacked. "When I was a kid, this was a place young people left." He has written that during the entire period he lived there, from 1968 to 1984, the city was in free fall, the steel and nuclear industries both dying, the flight to suburbs draining whatever energy remained. Pittsburgh had nerds — Carnegie Mellon was and is among the top computer science programs in the country — but no rich people willing to fund them. "The record skips at that point," Graham wrote, comparing Pittsburgh's startup output to Stanford's and MIT's.
Before college, the two things Graham worked on outside school were writing and programming. The stories were awful, by his own account — "hardly any plot, just characters with strong feelings, which I imagined made them deep." The programming was only marginally more productive, constrained by the IBM 1401 that the school district housed in the basement of his junior high. "The only form of input to programs was data stored on punched cards, and I didn't have any data stored on punched cards." His clearest memory from that period: the moment he learned a program could fail to terminate, a social as well as a technical error on a machine without time-sharing, "as the data center manager's expression made clear."
At Cornell, Graham studied philosophy — not computer science, though he took enough CS courses that most CS majors assumed he was one of them. "In college I was going to study philosophy, which sounded much more powerful," he later wrote. "It seemed, to my naive high school self, to be the study of the ultimate truths, compared to which the things studied in other fields would be mere domain knowledge." What he discovered was that other fields had already occupied most of the interesting territory. All that remained for philosophy were edge cases.
He earned an AB from Cornell and a PhD in computer science from Harvard. Then, in a move that bewildered nearly everyone who knew him, he enrolled at the Rhode Island School of Design and later studied painting at the Accademia di Belle Arti in Florence. The decision seems eccentric only if you don't understand what Graham was actually looking for. He was not becoming an artist. He was studying the nature of making — the common substrate beneath programming, painting, architecture, and writing. "What hackers and painters have in common is that they're both makers," he would write in the essay that became the title piece of his 2004 book. "Along with composers, architects, and writers, what hackers and painters are trying to do is make good things."
The art school years gave Graham something that computer science alone could not: a theory of taste. The conviction that beauty matters in software as much as in painting. The understanding that "brand and craft became divorced" in art when mass media made it possible to build a reputation independent of quality — an insight he would later apply ruthlessly to startups, where the divorce between narrative and substance is a daily temptation.
The SaaS Before SaaS Had a Name
Viaweb was, in retrospect, one of the most structurally important startups of the 1990s, though it is almost never discussed in those terms. The company built what was essentially Shopify — fifteen years before Shopify existed. The entire application ran in a web browser. There was nothing to download, nothing to install. You could build and manage an online store from any computer with an internet connection. This was 1995. Netscape had gone public three months earlier. Most people had not yet heard the phrase "electronic commerce."
Graham and Morris wrote the software in Lisp, a language that most programmers regarded — and many still regard — as an academic curiosity. Graham had a different view. He believed Lisp's expressiveness gave a small team an asymmetric advantage, that the abstractions available in Lisp allowed two or three programmers to build what would require dozens in Java or C++. "In a big company, you can do what all the other big companies are doing," he later wrote. "But a startup can't do what all the other startups do. I don't think a lot of people realize this, even in startups."
The acquisition by Yahoo in 1998 — which turned Viaweb into Yahoo Store — gave Graham his financial independence. It also gave him something more subtle: a dataset. He had lived through the full lifecycle of a startup, from terrible first idea (Artix, the gallery venture) through pivot, growth, acquisition, and the disorienting aftermath of sudden wealth. He knew, from direct experience, that the path from founding to exit was not a straight line but a series of lurches, that the idea you started with was rarely the idea that succeeded, and that the founder's capacity to survive the lurches mattered more than the brilliance of any individual insight.
The Yahoo experience also taught him what happened when founders lost control. He watched the company that had acquired him decay from the inside — a process he would later anatomize in a devastating essay titled "What Happened to Yahoo." The lesson was seared in: professional management, applied to companies that still needed the founder's instinct, was not a neutral force. It was often actively destructive.
The Essay as Startup Weapon
After selling Viaweb, Graham spent several years painting, programming in Lisp, and writing. The essays began appearing on paulgraham.com in 2001. They accumulated readers the way a coral reef accumulates mass — slowly, then all at once. The site now receives around 25 million page views per year, a number that would be remarkable for any media property and is astonishing for a personal website with no images, no ads, no social sharing buttons, and a design that hasn't meaningfully changed since the Clinton administration.
The essays function as a body of work in the way that a philosopher's collected papers do: each one self-contained but gaining force from proximity to the others. "How to Make Wealth" argues that startups are a mechanism for compressing a lifetime of work into a few years. "Maker's Schedule, Manager's Schedule" identifies the fundamental incompatibility between the way programmers use time and the way executives use it — a distinction that has since become embedded in the vocabulary of the industry. "Do Things that Don't
Scale" articulates the paradox at the heart of every early-stage company: that the habits that create growth are the opposite of the habits that sustain it.
The way to get startup ideas is not to try to think of startup ideas. It's to look for problems, preferably problems you have yourself.
— Paul Graham, 'How to Get Startup Ideas'
The rhetorical strategy of the essays is distinctive and worth examining. Graham writes with the syntax of a programmer — short declarative sentences, nested conditionals, assertions that build toward a proof. But the content is that of a humanist. He moves freely between discussions of Florentine painting and web application architecture, between the sociology of high school and the economics of wealth creation. The effect is of someone who has refused to accept the boundaries between disciplines, who treats all of intellectual life as a single codebase that can be refactored.
"Reading Paul's essays is like having a conversation with a genius who doesn't need to score any points by proving it to you," Eric Raymond, author of The Cathedral and the Bazaar, wrote. The description captures something essential: Graham's writing is persuasive not because it is forceful but because it is generous. He shares his reasoning process, including the dead ends and uncertainties. He admits when he's wrong. He treats the reader as a collaborator rather than an audience.
The essays also served a nakedly practical function. They were, in effect, a filter — a self-selecting mechanism that attracted exactly the kind of people Graham wanted to work with. "We named the company after [the Y combinator] partly because we thought it was such a cool concept, and partly as a secret signal to the kind of people we hoped would apply." The essays were the same kind of signal, broadcast at a wider frequency. If you read "How to Start a Startup" and felt the hairs on the back of your neck stand up, you were probably the kind of person Graham wanted to fund.
The First Batch
Y Combinator was born from a talk. In the spring of 2005, Graham was invited to speak to the Undergraduate Computer Society at Harvard. He needed a topic. "I thought, 'All right. I'll tell them how to start a startup.'" The talk became an essay. The essay became, inadvertently, a recruiting document.
Graham had been thinking about angel investing — the practice of putting small amounts of money into very early companies. He realized, while giving advice to these undergrads in real time, that the standard model was broken. "The best thing was to raise money from angels who had themselves made their money from doing a startup because then they could give you advice and connections as well as money." But there weren't enough such angels, and the ones who existed operated idiosyncratically, one deal at a time.
What if you could batch the process? Fund many companies simultaneously, give them a shared infrastructure of advice and community, and compress the critical early months into a structured program? The idea was so simple it seemed almost trivial — and yet nobody had done it. In the summer of 2005, Graham, Livingston, Morris, and Blackwell launched an experiment: they would fund a cohort of startups over the summer, primarily young founders, and see what happened.
Jessica Livingston — a former vice president of marketing at a Boston investment bank who would go on to write
Founders at Work, the definitive oral history of startup origins — was the co-founder whose contribution is most systematically underestimated. Graham himself has been explicit about this. Livingston possessed what the team came to call "social radar" — an uncanny ability to read people in high-pressure situations, to detect the micro-signals of dishonesty, defensiveness, or interpersonal dysfunction that predicted failure. "I'll meet somebody I really like, and she'll say, 'You know, there's something off about him.' And it always turns out she's right. Always," Graham told Mixergy. "So I've learned, when Jessica says these people are good or these people are bad, I should really listen."
Robert Morris — the erstwhile internet worm author, now a tenured professor at MIT — served as the technical conscience, the person whose instinct for what was computationally interesting or fraudulent was refined by decades of operating at the edge of what systems could do. Trevor Blackwell, a roboticist and hardware hacker, rounded out the founding team with a background in physical engineering that grounded the group's otherwise software-centric worldview.
The first batch received 227 applications. The deal terms were stark: approximately $20,000 in funding — later supplemented with capital from outside investors — in exchange for roughly 6% to 7% equity. The financial arithmetic was deliberately designed to be a no-brainer. "If we take 6%, we have to improve a startup's outcome by 6.4% for them to end up net ahead," Graham explained. "That's a ridiculously low bar." Founders who didn't grasp this, he said, had "failed an IQ test."
Among the first batch's graduates: Reddit. Alexis Ohanian and Steve Huffman, barely out of the University of Virginia, had applied with a mobile food-ordering app called My Mobile Menu. Graham rejected the idea but liked the founders. He suggested they build something inspired by Delicious, the social bookmarking service — "Paul was enamored with this idea of like what is going to replace The New York Times when the front page needs to be more than just what one editorial board can decide," Ohanian later recalled. What emerged was Reddit, with a $12,000 grant and a name that Graham thought was "terrible" and a mascot — the alien Snoo — that he wanted killed. "He was like 'The name is poison to potential investors, and that mascot, that bug thing, looks so dumb,'" Ohanian told Fortune. Graham even suggested an alternative name: Octopop. "He liked that one because he said I could turn the Reddit alien into an octopus if I insisted on keeping it." Reddit, of course, kept its terrible name and its dumb mascot all the way to a market capitalization exceeding $38 billion.
The Determination Thesis
As batches accumulated — two per year, growing from a handful of companies to dozens, eventually to hundreds — Graham and his partners assembled an empirical dataset about founder success that was, by his own account, unprecedented. "Between the volume of people we judge and the rapid, unequivocal test that's applied to our choices, Y Combinator has been an unprecedented opportunity for learning how to pick winners."
The most important discovery was also the least glamorous. "We thought when we started Y Combinator that the most important quality would be intelligence. That's the myth in the Valley. And certainly you don't want founders to be stupid. But as long as you're over a certain threshold of intelligence, what matters most is determination."
This was a genuinely heretical claim in 2005. Silicon Valley's self-image was built on the cult of the genius — the dropout visionary, the ten-thousand-IQ technologist who saw the future before anyone else. Graham's empirical finding was that genius was necessary but not sufficient, and that the variable that actually predicted survival was a dogged, occasionally unreasonable refusal to die. "Most startups have at least one low point where any reasonable person would give up. That bottleneck is the reason there are so few successful startups. The only people who get through it are the ones who have an unreasonable aversion to failing."
Graham also observed that the qualities he valued most in founders existed in tension with each other. Determination and flexibility. Imagination and naughtiness. The metaphor he reached for was a running back: "He's determined to get downfield, but at any given moment he may need to go sideways or even backwards to get there." The ideal founder was not a person with a fixed vision but a person with a fixed destination and infinite tactical adaptability.
Though the most successful founders are usually good people, they tend to have a piratical gleam in their eye. They're not Goody Two-Shoes type good. Morally, they care about getting the big questions right, but not about observing proprieties.
— Paul Graham, 'What We Look for in Founders'
The college pedigree finding was equally surprising — at least to Graham. "One of the most surprising things we've learned is how little it matters where people went to college," he wrote. Y Combinator's data showed that Graham and his partners had been systematically overvaluing graduates of elite universities. "We'd interview people from MIT or Harvard or Stanford and sometimes find ourselves thinking: they must be smarter than they seem. It took us a few iterations to learn to trust our senses."
The Airbnb Test
No YC company better illustrates Graham's philosophy — or the gap between his intuition and his conscious analysis — than Airbnb. Brian Chesky and Joe Gebbia, two Rhode Island School of Design graduates with no technical co-founder, had been sleeping on air mattresses in their San Francisco apartment and renting them out to strangers to cover rent. The idea — that large numbers of people would want to stay in other people's homes — seemed, by any conventional analysis, insane.
Graham funded them anyway. Not because he believed in the idea. "When we funded Airbnb, we thought it was too crazy. We couldn't believe large numbers of people would want to stay in other people's places." He funded them because of a single detail in their application: they had been supporting themselves by selling Obama- and McCain-branded breakfast cereal during the 2008 election — custom boxes called "Obama O's" and "Cap'n McCain's" — at $40 a box. "As soon as we heard they'd been supporting themselves by selling Obama and McCain branded breakfast cereal, they were in."
The cereal boxes were a signal — a compressed proof of the founders' resourcefulness, creativity, and willingness to do absurd things to survive. Graham's essay "Do Things that Don't Scale" would later codify this principle, but the Airbnbs were living it before it had a name. During the YC batch, Chesky and Gebbia were flying to New York every week, going door to door, recruiting hosts and personally improving their listings. "When I remember the Airbnbs during YC, I picture them with rolly bags, because when they showed up for Tuesday dinners they'd always just flown back from somewhere."
The Airbnb story also illustrates what Graham calls "fragility" — the precariousness of companies that later seem inevitable. "Airbnb now seems like an unstoppable juggernaut, but early on it was so fragile that about 30 days of going out and engaging in-person with users made the difference between success and failure." The thirty days of fragility became one of Graham's most-repeated teaching examples: evidence that the gap between a billion-dollar company and oblivion can be measured in weeks of manual effort.
The Scaling Paradox
As YC grew — from eight companies per batch to forty, then a hundred, eventually to several hundred — the institution faced a version of the same problem it taught its startups to solve: how to scale something whose value depended on intimate attention. Each batch had to retain the intensity of the first one. Each ten-minute interview had to compress the same quality of judgment that Graham and Livingston had applied when they knew every applicant personally.
The solution was characteristically Grahamian: standardize everything except the judgment. Investment terms were simplified and made uniform. Office hours were structured on the maker's schedule — concentrated into specific days, leaving the rest free for the founders to work. Hacker News, the social news site Graham built and administered, served simultaneously as a community platform, a recruiting tool, and a real-time intelligence feed about the problems and interests of technically minded people.
But the core of YC remained irreducibly personal. Every batch still included the Tuesday dinners. Every company still got ten minutes of interview, during which Graham and his partners made decisions that would shape billions of dollars in value. Graham once told an interviewer that by about a minute into a YC interview, the interviewers' minds were unlikely to change. The rest of the time was for confirming or — more rarely — overriding the initial read.
The model was, in a sense, anti-institutional by design. YC ran on the maker's schedule even though it was an investment firm. "Nearly all investors, including all VCs I know, operate on the manager's schedule," Graham wrote. "But Y Combinator runs on the maker's schedule." The team was kept deliberately small — "we still only have four people, so we try to standardize everything" — not out of austerity but because smallness preserved the texture of judgment. Hiring employees would have meant managing employees, which would have meant meetings, which would have meant the death of the unbroken blocks of time that Graham believed were essential to doing anything difficult.
The City That Whispers
Graham has written with unusual precision about the relationship between geography and ambition. "Great cities attract ambitious people. You can sense it when you walk around one. In a hundred subtle ways, the city sends you a message: you could do more; you should try harder." The essay "Cities and Ambition" — published in May 2008, when this observation was still slightly unfashionable — mapped the invisible messages of different cities with the care of an anthropologist cataloguing kinship structures.
New York, he argued, tells you to make more money. Cambridge tells you to be smarter. Silicon Valley tells you to be more powerful — but a specific kind of power, the power of effect. "What matters in Silicon Valley is how much effect you have on the world. The reason people there care about Larry and Sergey is not their wealth but the fact that they control Google, which affects practically everyone."
The essay was not merely descriptive. It was prescriptive — and personal. Graham had tried living in Berkeley, reasoning that it would be Cambridge with good weather. It wasn't. "The message Berkeley sends is: you should live better." Cambridge with good weather, it turned out, was not Cambridge, because the people who chose Cambridge chose it despite the bad weather, the expense, the grubbiness. The self-selection was the mechanism.
Years later, Graham moved — not to another American city but to the English countryside. "Originally we only meant to stay for a year," he told Antonio García Martínez in 2020. "We wanted the boys to see what it was like to live in another country. Plus I was born here and had always wanted to try living here again. But we liked it so much we've stayed longer." The reason, distilled to a single word: calmer. "Part of the calmness comes from things being old. A lot of the houses where we live are four or even five hundred years old. Some fields are thousands of years old."
The man who had spent two decades telling founders to move to San Francisco — who had argued, with considerable evidence, that geography was destiny for startups — chose, when it came time to optimize his own life, a place where the central message was not power or money or intellect but durability. Fields that had been fields for millennia. Houses built before the discovery of the New World. The signal was legible: the work of making things that last requires a different kind of environment than the work of making things that grow.
Founder Mode and the Manager Fallacy
In September 2024, Graham published an essay that, within hours, became the most discussed piece of writing in Silicon Valley. "Founder Mode" did not introduce a new concept so much as name something that founders had felt but could not articulate: the systematic failure of conventional management advice when applied to companies still led by their creators.
The catalyst was a talk by Brian Chesky at a YC event. "Most founders I talked to afterward said it was the best they'd ever heard. Ron Conway, for the first time in his life, forgot to take notes." Chesky described how, as Airbnb scaled, well-meaning advisors told him to hire good people and give them room to do their jobs. He followed this advice. "The results were disastrous." He had to figure out a better way on his own, partly by studying how
Steve Jobs ran Apple.
Graham's argument was structural, not merely anecdotal. Two modes of running a company exist: founder mode and manager mode. The conventional wisdom assumed that scaling required switching from the former to the latter. But the advice to "hire good people and give them room" often meant, in practice, "hire professional fakers and let them drive the company into the ground." Founders who resisted this advice were told they were micromanaging. Founders who accepted it watched their companies deteriorate.
The essay resonated so explosively because it gave language to a common experience. "I know multiple founders who felt like they were being gaslit from both sides," Graham wrote, "by the people telling them they have to run their companies like managers, and by the people working for them when they do." Jeremy Fiance, founder of The House Fund, described the essay as "a rallying cry" for founders who had been "beat up and looking for permission to unleash their instincts."
What made the essay characteristically Graham was its admission of ignorance. He did not claim to know what founder mode actually looked like in practice. "There are as far as I know no books specifically about founder mode. Business schools don't know it exists. All we have so far are the experiments of individual founders who've been figuring it out for themselves." The essay was not an answer but a question — a naming of the gap in knowledge, which is the first step toward filling it.
Writing as Thinking, Thinking as Survival
In October 2024, a month after "Founder Mode," Graham published "Writes and Write-Nots," a brief, severe essay about the consequences of artificial intelligence for the act of writing. His argument was compressed to a cutting edge: writing is thinking. AI would eliminate the pressure to write. Therefore AI would eliminate, for most people, the pressure to think.
"If you're thinking without writing, you only think you're thinking," he wrote, quoting the computer scientist Leslie Lamport. The essay predicted a world divided into "writes and write-nots" — which was really a world of "thinks and think-nots." The analogy was to physical strength in a post-industrial economy: once everyone's job made them strong; now strength is a choice. Writing, and the thinking it enables, would follow the same trajectory. "There will still be smart people, but only those who choose to be."
The essay was, among other things, a defense of Graham's own medium. He had spent more than two decades publishing essays on a website with the aesthetic of a Usenet post, in an era that rewarded video, podcasts, and social media brevity. The essays survived and thrived because they did what Graham said writing does: they forced clear thinking into existence. The form was not incidental to the content. It was the content. Each essay was a proof-of-work — evidence that the ideas had been subjected to the discipline of being written down, rearranged, compressed, and refined until they were as clear as the author could make them.
Graham has described his writing process as closer to programming than to conventional prose composition. Each essay begins as a sketch, a hypothesis that develops through iteration. "As in an essay, most of the ideas appear in the implementing." The parallel to startups is exact and deliberate: you don't know what you're building until you build it. The essay is the minimum viable product of an idea.
Develop a habit of working on your own projects. Don't let "work" mean something other people tell you to do. If you do manage to do great work one day, it will probably be on a project of your own.
— Paul Graham, 'How to Do Great Work'
The Field of Thousand-Year-Old Fields
There is a passage in "How to Do Great Work" — a 2023 essay that represents perhaps Graham's most ambitious attempt at a unified theory — where the advice resolves into something simpler than strategy: "What are you excessively curious about — curious to a degree that would bore most other people? That's what you're looking for."
The sentence reads differently depending on where you are in your life. At twenty, it sounds like permission. At forty, it sounds like a diagnostic. At Graham's age — approaching sixty, living in the English countryside, his children growing, his formal role at YC long since handed over (first to
Sam Altman in 2014, now to Garry Tan) — it reads like an autobiography compressed to a single question. Graham was excessively curious about Lisp, about painting, about the nature of making, about how young people with no credentials could build things that changed the world. He followed that curiosity through a philosophy degree, a computer science PhD, art school in Florence, a failed gallery startup, a pioneering web company, a quarter-century of essays, and an institution that reshaped venture capital from the bottom up.
In 2019, he published Bel, a new Lisp dialect written in itself — a project of pure intellectual passion, undertaken for no commercial reason whatsoever, years after he could have spent the rest of his life doing nothing at all. The choice was perfectly legible to anyone who had read the essays. A project of one's own.
He lives now among the old houses and the old fields. The essays still appear, at irregular intervals, on the same austere website. They are read by millions of people, many of whom will never start a startup but who have absorbed, through Graham's prose, a way of thinking about work, ambition, and the craft of making things — a way that values clarity over complexity, curiosity over credentials, and the willingness to be embarrassed by early work over the paralyzing fear of imperfection.
The fields, he wrote, are thousands of years old. Someone cleared them once, long ago, with no certainty about what would grow.