On the afternoon of July 4, 2012, three video game industry veterans sat in a room at the Long Beach Hilton, waiting for a nineteen-year-old they had never met in person, to try a device they had never seen, on which they had just staked their careers. Brendan Iribe, Nate Mitchell, and Michael Antonov had agreed, days earlier, to co-found a company with Palmer Luckey — a kid from Long Beach, California, who claimed to have built a virtual reality headset that actually worked. The claim was extraordinary. Every serious engineer in the field knew that consumer VR was, by 2012, a graveyard of a hundred failed attempts stretching back three decades, a technology so thoroughly discredited that merely invoking it at a pitch meeting could end a conversation. The three men had agreed to partner with Luckey without trying the headset themselves, on the strength of his description alone and the rapturous endorsement of John Carmack, the legendary programmer who had invented three-dimensional gaming. They had walked away from a deal with another tech company to do it. Millions of dollars, forfeited on faith.
When Luckey finally bounded in — late, very late — he was wearing a T-shirt, shorts, and flip-flops, and carrying what Iribe later described as a tray tangled over with a mess of cables. Underneath the thicket of wires was a crude black brick held together with tape, with more wires poking out from every angle. That's Oculus? Iribe thought. Luckey cheerfully struggled to get the mess into working order. Antonov pressed the headset to his eyes and began to move his head around, slowly, exploring a three-dimensional space that existed only inside the brick. "Wow..." he said. Mitchell tried it next, same response. Iribe went last. "Sure enough, it really worked," he recalled. "And we all looked at each other like, Oh, my God."
Twenty months later, Mark Zuckerberg would hand Luckey $2 billion for that brick. Thirty-two months after that, Luckey would be fired from the company Zuckerberg bought. And within a year of his firing, Luckey would begin building something far more dangerous than a headset — a weapons company named after a fictional sword, designed to remake the American military from the inside out, run by a man in Hawaiian shirts who stores his video game collection in a decommissioned nuclear missile silo two hundred feet underground. The distance between the Game Boy and the guided missile is shorter in Palmer Luckey's mind than anyone outside it is comfortable admitting.
601Days from Kickstarter launch to Facebook acquisition
$2.4MRaised on Kickstarter (974% of $250K goal)
$30.5BAnduril valuation (2025)
$500MZeniMax lawsuit verdict (later reduced to $250M)
50+VR headset prototypes Luckey built as a teenager
$100KAnnual salary Luckey pays himself at Anduril
The Garage and the Graveyard
The received wisdom, by the time Palmer Freeman Luckey was born on September 19, 1992, was that virtual reality was finished. Not merely paused. Finished. Throughout the late 1980s and the 1990s, dozens of companies had poured hundreds of millions of dollars into head-mounted displays that were supposed to deliver the immersive future promised by Neuromancer, Snow Crash, Tron, and The Matrix. All of them failed — some because the displays were too low-resolution, most because the latency between head movement and visual update was high enough to induce nausea, all because the underlying components were generations away from the performance levels the fantasy required. By the mid-2000s, VR had become a punch line, the cold fusion of consumer technology. Headsets that once cost $97,000 were being liquidated at government auctions for less than a hundred bucks.
Palmer Luckey bought them. All of them he could find.
He grew up in Long Beach, the first of four children — three younger sisters would follow — born to Donald Luckey, a car salesman, and Julie Luckey, who pulled Palmer out of the public school system to homeschool him. The official reason, depending on whom you ask, was that Julie believed no institution could devise a personalized education for someone who was, by definition, unique. The unofficial reason was simpler: Palmer was, by his own description, "a bad kid" — not malicious, just profoundly uncontainable. "Probably these days they'd say I have ADHD," he has said. "But back then it was just called being a boy."
Donald Luckey's contribution to his son's education was the garage. He taught Palmer to fix old cars, which meant teaching him to use screwdrivers and soldering irons and oscilloscopes before most kids learned long division. The garage became a laboratory. Palmer built railguns. He built Tesla coils. He built high-powered lasers that his parents somehow did not confiscate, one of which — an infrared unit — he accidentally shone into his own eye while cleaning it, burning a permanent gray spot into his vision. He electrocuted himself at least once, touching a grounded metal bed frame during an experiment gone sideways. He was, in short, the kind of child who in another century would have been apprenticed to a gunsmith or an alchemist, and who in this one was funneled into community college courses at fourteen and a job as a lab technician at sixteen.
The lab was USC's Institute for Creative Technologies, specifically its Mixed Reality Lab, known as MxR, which studied virtual reality for military applications — PTSD treatment, training simulations, the kind of niche defense work that kept VR barely alive as a research subject even after the commercial market had declared it dead. Mark Bolas, the lab's director, was a VR pioneer — a wiry, enthusiastic engineer who had spent years building low-cost headsets by pairing wide-field-of-view lenses with LCD displays stripped from consumer electronics. When the sixteen-year-old Palmer Luckey showed up for a visit, Bolas opened a plastic tub of ancient VR hardware to test the kid's knowledge. Luckey identified every artifact in the tub, including prototypes built when he was a toddler. They hired him on the spot.
What Luckey brought to MxR was not just encyclopedic knowledge but obsessive acquisitiveness. By his own estimate, he had assembled the largest private collection of virtual reality headsets in the world, sourced from liquidation sales, government auctions, and eBay listings, often driving to the seller in person to avoid paying for shipping. He had studied every failure mode. And in the evenings, in an old travel trailer parked in the driveway of his parents' home — not the garage itself, which was apparently full — he began building headsets of his own.
Fifty Prototypes and One Carmack
The number matters. Luckey built over fifty prototypes between 2009 and 2012, iterating through configurations of lenses, displays, and tracking systems with the manic patience of Edison working through filament materials. Some were cannibalized from his collection of dead headsets; some used displays harvested from smartphones; others were assembled entirely from off-the-shelf components. Each one was an attempt to solve the same cluster of problems that had killed every previous consumer VR effort: narrow field of view, low resolution, high latency, and the resulting nausea that turned what was supposed to be an immersive experience into a medical event.
His breakthrough — the sixth-generation prototype, which he dubbed the "Rift" — combined stereoscopic 3D rendering, low-latency head tracking, and a ninety-degree field of view that was wider than anything available at anywhere near its price point. It was not elegant. It looked like a matte-black brick that hung from your face, trailing cables. But it produced something that decades of funded research had failed to produce: the sensation of being somewhere else.
Luckey shared his work on the ModRetro Forums, an online community he had co-founded at sixteen, dedicated to "portabilization" — the hobbyist art of taking old game consoles and cramming them into portable cases. The forums had given him his first entrepreneurial identity and his first audience, people who valued ingenuity over credentials. When he posted about the Rift prototype, the response was enthusiastic but the audience was niche.
Then John Carmack found him. Carmack — co-founder of id Software, creator of Doom and Quake, the programmer who had cracked the problem of rendering three-dimensional space in real time and thereby invented the modern first-person shooter — was, by 2012, arguably the most technically accomplished game developer alive and also one of the most restless. He had done for computer games what Masaccio did for painting: he turned a plane into a space. Having started one revolution, he was scanning the horizon for the next. Virtual reality interested him. Most of what he saw disappointed him. Then he stumbled onto Luckey's work online.
Self-taught! Explore the world around you, take things apart, put 'em back together. You can learn a lot if you do nothing but spend your entire life in your garage working on projects or in your room reading on the Internet.
— Palmer Luckey
Carmack asked to buy a prototype. Luckey sent one for free. What happened next was the single most consequential product demonstration in the history of VR: Carmack took Luckey's headset to E3, the annual video game industry convention, in June 2012, running a modified version of Doom 3: BFG Edition through the prototype. The reaction was volcanic. Journalists who had written off VR as dead found themselves, inside the brick, present in a way they had never experienced through a screen. The coverage was rhapsodic and near-universal.
Within weeks, Luckey left his lab assistant position at MxR. On August 1, 2012, he launched a Kickstarter campaign, hoping to raise $250,000 to build out his headset and ship development kits to early adopters. The campaign raised $2.4 million — nearly ten times the goal — in thirty days. Nine thousand five hundred people pre-ordered a device that did not yet exist as a finished product, from a company that did not yet exist as a real entity, run by a twenty-year-old who had never taken an engineering degree.
The Iribe Gambit
Brendan Iribe was everything Palmer Luckey was not: polished, business-minded, experienced in the machinery of turning a technology product into a company. Born in Maryland, Iribe had co-founded Scaleform, a middleware company used in hundreds of video games, and sold it to Autodesk. He knew how to manage engineers, negotiate deals, and raise money. He was also, crucially, someone who believed that a company needed a CEO who was not its inventor — that the role of the visionary was to envision, and the role of the operator was to operate.
Nate Mitchell, who would become Oculus's VP of Product, was a game industry insider who had worked alongside Iribe at Scaleform and Gaikai, the cloud gaming startup. Michael Antonov, the company's co-founding engineer, was a brilliant programmer with deep experience in real-time 3D rendering. Together the three of them represented the managerial and technical infrastructure that Luckey's garage-born invention needed to become a viable business.
The deal they struck was unusual. Luckey recognized, at nineteen, that he was not the right person to run a company. "You don't need to be good at everything," he has said. "You just need to surround yourself with people who are." He installed Iribe as CEO and took the title of co-founder, retaining control of the hardware vision while delegating essentially everything else. It was an act of self-awareness rare in any founder, let alone one barely old enough to drink.
The Kickstarter campaign had proven demand. Carmack's endorsement had proven credibility. What Oculus needed now was capital and speed. Luckey and Iribe raised $16 million in a Series A led by Spark Capital and Matrix Partners in December 2012, followed by a $75 million Series B led by Andreessen Horowitz in December 2013. Marc Andreessen himself joined the board. The company shipped its first development kit — the DK1 — on March 29, 2013, and began building a second-generation kit with improved resolution and lower latency.
Meanwhile, Carmack — who had spent his entire career at id Software, which was owned by ZeniMax Media — grew increasingly enchanted by the Oculus project. In August 2013, he made a decision that would have enormous consequences for everyone involved: he left id Software to become Oculus's Chief Technology Officer. ZeniMax would later argue that Carmack did not leave empty-handed.
The $2 Billion Hallucination
In January 2014, Mark Zuckerberg put on the headset.
He was in the Menlo Park headquarters of Facebook, in the office of COO Sheryl Sandberg, which they'd chosen because it had blinds — unlike Zuckerberg's glass fishbowl of an office, which made sense for a man who had dedicated his career to helping people share their lives but was, at that moment, unsuitable for the sight of the Facebook CEO strapped to an electronic brick. Zuckerberg found himself standing on a ruined mountainside, snowflakes falling around him, face to face with a giant stone gargoyle spouting lava. He looked left; the scene moved left. He looked up; snowflakes drifted past his field of vision.
"Wow," he said, removing the headset. "That was pretty awesome."
He was thirty years old, preparing to celebrate Facebook's tenth anniversary, and thinking obsessively about what came next — the next computing platform after the smartphone. He had been asking everyone around him the same question: What's the next great computation platform? His answer was headsets that provide immersive 3D experiences — not just games, but movies, lectures, business meetings, and eventually, he believed, direct brain-to-brain communication. "Eventually I think we're going to have technology where we can communicate our full sensory experience and emotions to someone through thought," he told a journalist, with the serene certainty of a man who has confused the distance between aspiration and reality so many times that it no longer registers as confusion.
The deal closed on March 26, 2014. Facebook acquired Oculus VR for approximately $2 billion — $400 million in cash and 23.1 million shares of Facebook stock. Two billion dollars for a two-year-old hardware company with no consumer product, no revenue, and a founder who was twenty-one. "Mobile is the platform of today, and now we're also getting ready for the platforms of tomorrow," Zuckerberg said at the press conference, deploying the kind of sentence that means everything and nothing simultaneously.
The reaction was bifurcated. The tech press marveled. The gaming community — the nine thousand people who had backed the Kickstarter, the developers who had built early demos, the Reddit enthusiasts who had been following Palmer's posts since the ModRetro days — erupted in fury. They had funded a gaming device. Mark Zuckerberg had bought a "social platform." The Oculus subreddit turned toxic overnight. Luckey, who had been an active and beloved presence on /r/oculus, found himself defending a decision he genuinely believed was right against a community that felt personally betrayed.
Oculus has the chance to create the most social platform ever and change the way we work, play and communicate.
— Mark Zuckerberg
The acquisition was the apotheosis of the Palmer Luckey origin story — the homeschooled kid in the trailer, the world's largest private VR headset collection, fifty prototypes and a Kickstarter and a John Carmack endorsement and now, at twenty-one, a billionaire. It was also the beginning of the end.
The Sword of ZeniMax
ZeniMax Media, the parent company of id Software — the studio where John Carmack had spent his entire career until defecting to Oculus — filed suit in May 2014, two months after the Facebook acquisition. The claim was blunt: ZeniMax alleged that Carmack had used company resources to improve the Oculus Rift prototype, then stolen proprietary data from ZeniMax computers before leaving to join Oculus as CTO. More provocatively, ZeniMax argued that Luckey himself "lacked the training, expertise, resources or know-how" to develop a viable VR system, and that the widely-told story of a teenager building the Rift in his parents' garage was "false and fanciful."
The case went to trial in January 2017, in a Dallas courtroom. Zuckerberg testified on Tuesday. He said that ZeniMax had sent a letter to Facebook shortly after the acquisition outlining its claims, but that those claims were "not considered credible." He was "highly confident that Oculus products are built on Oculus technology."
Luckey testified on Wednesday. It was his first public appearance since a catastrophe that had unfolded four months earlier, and he looked, according to courtroom reporters, like a thoroughly spent man. He had abandoned his trademark flip-flops for a navy suit and black dress shoes. A bright red tie was the only remaining spark.
ZeniMax's attorney established, first, that Luckey held no engineering degree — he had dropped out of college. Then the attorney built toward the argument that Luckey could not have built the Rift without Carmack's essential aid. A series of emails between the two men were presented, painting a picture of a young enthusiast who was brilliant at hardware but needed Carmack's software expertise — particularly in areas like low-latency rendering and distortion correction — to turn a prototype into a product. ZeniMax's attorneys also focused on a nondisclosure agreement Luckey had signed when using ZeniMax assets for an Oculus demonstration, arguing that Luckey had violated its terms.
The jury awarded ZeniMax $500 million in damages. Luckey was found personally liable for $50 million. (The total was later reduced to $250 million.) Neither Carmack nor Oculus were found to have stolen trade secrets, but the NDA violation stuck. It was a partial victory for ZeniMax and a public humiliation for Luckey, whose carefully cultivated image as a self-taught prodigy was now contested in open court.
But the lawsuit was not the worst thing that happened to Palmer Luckey in the fall of 2016.
The $9,740 That Changed Everything
On September 22, 2016, The Daily Beast published a story headlined "The Facebook Billionaire Secretly Funding Trump's Meme Machine." The substance of the story was that Luckey had donated just shy of $10,000 to Nimble America, a recently formed pro-Trump nonprofit organization whose entire body of work, at the time of his donation, consisted of putting up a single billboard in the Pittsburgh area. That was it. One billboard, one donation, one small nonprofit.
The media ecosystem did the rest. Ars Technica ran with "Oculus Rift Is Secretly Funding Donald Trump's Racist Meme Wars." Boing Boing published "Facebook 'Near-Billionaire' Palmer Luckey Secretly Funding Racist Pro-Trump Hate Meme Machine." There was no evidence that Luckey was funding an extensive online meme war driven by racism. There was evidence that he had given $9,740 to an amateurish political operation and had, possibly, posted under a pseudonym on Reddit. But the story arrived at the intersection of three powerful currents — Silicon Valley's overwhelming liberal consensus, Facebook's already-fraught relationship with political disinformation, and the incandescent polarization of the 2016 presidential campaign — and it detonated.
Game developers pulled their support for the Oculus platform. VR investors pledged donations to Hillary Clinton's campaign in public protest. Inside Facebook, the reaction was, by multiple accounts, ferocious. Internal emails suggest the matter was discussed at the highest levels of the company. According to the Wall Street Journal, Facebook executives including Zuckerberg pressured Luckey to publicly voice support for libertarian candidate Gary Johnson, despite Luckey's years-long support of Trump. A public statement was issued under Luckey's name that was widely described as misleading — it expressed support for Johnson and apologized for the "negative impact" of his actions on Oculus, without clearly stating what he actually believed or had actually done.
Luckey was put on a six-month leave of absence. He was fired on March 30, 2017, one day after the ZeniMax trial concluded. Facebook's official statement said only that he would be "dearly missed." No reason was provided.
The Wall Street Journal later reported that he "was put on leave, then fired." Blake Harris, the author of The History of the Future, a book-length account of Oculus's founding, reported that Luckey was offered a financial settlement contingent on leaving the VR industry and signing a perpetual non-disparagement agreement. Luckey signed. He took the money. He kept quiet — for a while.
I wanted to prove that I wasn't a one-hit wonder. That I was still somebody.
— Palmer Luckey
The Red Phone
A red phone sits on Palmer Luckey's desk at the Costa Mesa headquarters of Anduril Industries. It is a genuine article from the U.S. nuclear command, once connected to the network that led to the bunkers buried in the Rockies west of Colorado Springs — the network that could, in the darkest scenarios, order the apocalypse. Luckey owned the phone before he started Anduril, back when he was only famous for inventing a headset and getting fired for his politics. It was kitsch then, a physical piece of history to gaze at while working on virtual reality for a social media company.
After the firing, the phone changed from a prop to a proposition. "That was the dream," Luckey has said, "to be the guy with the red phone who gets The Call."
He was twenty-four, flush with cash, unemployed, and furious. The fury was layered: at Facebook, for ejecting him over a political donation that was, by any rational measure, trivial; at Silicon Valley more broadly, for the suffocating ideological monoculture that made a $10,000 contribution to a legal political organization a fireable offense; and, underneath both, at the American defense establishment, which he had glimpsed during his years at USC's Mixed Reality Lab and found to be catastrophically broken.
"I had this belief that the major defense companies didn't have the right talent or the right incentive structure to invest in things like artificial intelligence, autonomy, robotics," Luckey has said. "And the companies that did have expertise, like Google, like Facebook, like Apple, were refusing to work with the U.S. national security community."
The insight was not original — Peter Thiel had been making a version of this argument for years, and his company Palantir had been proving it since 2003 — but the timing was extraordinary. Google had recently experienced a workforce revolt over its involvement with Project Maven, a Pentagon AI initiative. Microsoft employees had protested the company's HoloLens contract with the U.S. Army. The message from Silicon Valley was unambiguous: the best engineering talent in the country considered defense work beneath them, or morally tainted, or both.
Luckey saw a gap the size of an aircraft carrier. He founded Anduril Industries in 2017 with four co-founders: Brian Schimpf, who became CEO; Trae Stephens, who became executive chairman; Matt Grimm, who became COO; and Joseph Chen. Three of the four came from Palantir. The Thiel connection was not incidental — Thiel was an early investor, and the intellectual architecture of Anduril — the belief that the defense establishment's procurement bureaucracy was a greater threat to national security than any foreign adversary — was pure Thiel doctrine, filtered through Luckey's particular combination of hardware genius and barely-concealed rage.
The name was drawn, like Palantir before it, from Tolkien. Andúril is the elvish name of Aragorn's reforged sword in The Lord of the Rings. Translated from Quenya, it means "Flame of the West." A replica of the film prop hangs in Anduril's office. "The first page of our first pitch deck said that Anduril is a company that will save Western civilization by saving taxpayers hundreds of billions of dollars a year as we make tens of billions of dollars a year," Luckey has said. "We're not making tens of billions of dollars a year yet. But we're getting there."
Software-Defined War
The thesis of Anduril is simple enough to fit on a slide, and radical enough to terrify the five companies that have monopolized American defense contracting for decades. It is this: the United States will not maintain military superiority by building better versions of Cold War weapons — bigger aircraft carriers, stealthier fighter jets, more precise nuclear warheads. It will maintain superiority by building cheaper, smarter, more numerous systems that are connected by software and powered by artificial intelligence. The future of warfare is not the $100 million fighter jet flown by a single pilot. It is the $50,000 drone, produced by the thousand, coordinated by algorithms, and expendable in ways that human beings are not.
The distinction between Anduril and the legacy defense primes — Lockheed Martin, Boeing, Raytheon, Northrop Grumman, General Dynamics — is not merely one of product but of business model. The primes are hardware companies that make their margins on physical systems sold through multi-year, cost-plus contracts. The incentive structure rewards slowness: the longer a program takes to develop, the more money the contractor makes. The F-35 Joint Strike Fighter program, for example, has cost over $1.7 trillion and counting, with deliveries decades behind schedule.
Anduril inverts this model. Its core product is not any individual piece of hardware but Lattice OS — a software platform that functions as the connective nervous system across all of Anduril's hardware products, from surveillance towers to autonomous drones to underwater vehicles. Lattice ingests data from diverse sensors, fuses it into a real-time operational picture, and enables autonomous or semi-autonomous decision-making. The hardware is the delivery vehicle; the software is the business.
This is a profoundly different unit economics. Hardware margins are thin and lumpy. Software margins are high and recurring. Once a military customer adopts Lattice — once it trains its personnel, integrates its sensors, and builds its operational procedures around the platform — switching costs become enormous. Every new deployment generates more data, which makes the AI smarter, which makes the platform more valuable, which attracts more customers. It is, in defense industry terms, a flywheel — a concept borrowed directly from the Silicon Valley playbook that Lockheed Martin has never learned to spin.
The product line reads like the inventory of a science-fiction armory. The Ghost drone: a small autonomous quadcopter used for surveillance and reconnaissance. The ALTIUS drone: a tube-launched, wing-unfolding aircraft that transforms itself into a small airplane capable of carrying a thirty-pound warhead. The Anvil: a counter-drone interceptor that identifies, tracks, and physically rams enemy drones out of the sky. The Dive-LD: a large autonomous underwater vehicle for which Anduril recently won a U.S. Navy contract to build two hundred annually. The Sentry Tower: an autonomous surveillance tower deployed along the U.S.-Mexico border — 189 of them, forming a "virtual border wall" under a $250 million contract with U.S. Border Patrol.
And then there is Arsenal-1, a manufacturing facility in an undisclosed location in Ohio, designed to produce tens of thousands of autonomous weapons per year. It is Luckey's own Stark Industries from the Marvel comics — a comparison he embraces with one correction: "The difference is, Tony Stark got Stark Industries out of building weapons and I have no intention of doing that."
The Ukraine Laboratory
A few weeks after Russian tanks rolled into Ukraine in February 2022, Palmer Luckey went to the front lines. He is not a soldier. He had never set foot in a war zone. He was there to train Ukrainian soldiers on Anduril's technology and to understand what modern warfare actually looked like, at the level of the individual combatant, in the year 2022.
What he saw was the thesis of his company validated in blood and fire. Ukrainian forces, outmanned and outgunned by every conventional measure, were using cheap commercial drones — some costing only a few thousand dollars each — to devastating effect. A handful of pilots could remotely carpet Russian airstrips with explosives from thousands of miles away. Ukraine, a nation without a navy, forced Vladimir Putin to pull back his Black Sea Fleet because of the constant threat of maritime drones. The lesson was unmistakable: victory depended not on who had the most expensive weapons system but on who could apply new technologies in the largest numbers, most rapidly.
"Ukraine's defenses have persisted for more than three years," Luckey has written — "far longer than the three days that U.S. planners expected. Despite the devastation, Putin has been forced to trade the equivalent in casualties of a large Russian city to capture less than twenty percent of the country's territory."
Anduril's weapons are now deployed in Ukraine. The company says it sells autonomous weapons to approximately ten countries worldwide. Its biggest contract came in 2022, when the U.S. Special Operations Command awarded a ten-year, billion-dollar contract to Anduril for counter-drone defense systems. Revenue reached approximately $500 million in 2023. By 2025, the company had raised more than $2 billion in venture funding, reaching a valuation of $30.5 billion — making it one of the thirteen most valuable private companies on Earth.
The irony is almost too neat to be comfortable. The kid who built virtual reality headsets to help people escape into digital worlds now builds autonomous weapons to kill people in the real one. Luckey does not appear to find this ironic. He finds it continuous. "People say it's spooky to have autonomous weapons," he has told interviewers. "It's spookier to fight the Third World War with dumb ones."
The Return of the Headset
In September 2025, Anduril announced a partnership with Microsoft — and, more improbably, with Meta — to take over the U.S. Army's Integrated Visual Augmentation System (IVAS), arguably the military's largest effort to develop a headset for battlefield use. The IVAS program, which Microsoft had been developing since 2018 using its HoloLens technology, had been plagued by performance problems, nausea complaints from soldiers, and billions in cost overruns. The Pentagon turned to Anduril to fix it.
The project is codenamed Eagle Eye, and Luckey has said it is his top priority at Anduril. The device is not a headset in the consumer sense. It is a fully integrated ballistic shell — hearing protection, vision protection, head protection, on-board compute, on-board networking, radios, and vision augmentation systems that enhance the wearer's perception beyond what the naked eye can achieve. Lattice powers the software layer, pulling sensor data into a real-time 3D battlefield map displayed inside the helmet, allowing soldiers to see safe routes, distinguish allies from enemies, and maintain situational awareness through smoke, darkness, and chaos.
"Eagle Eye is not one head-mounted display," Luckey has said. "It's a platform for building vision augmentation systems. We're building different versions because you have different people who have different roles. The guy who is a front-line infantryman being shot at has a different job than the guy who's a logistician, or aircraft maintainer, or somebody who works in a warehouse."
The deal could generate as much as $21.9 billion for Anduril and Microsoft over the next decade. For Luckey, it represents something more personal than revenue. He had told investors back in 2017, when he first pitched Anduril, that applying Lattice to a headset platform was part of the original vision. They had discouraged him — "it would turn into a pissing contest with Facebook," they said, and advised him to focus "on what you think is the most important for the country — not most important for your ego." Luckey took the advice and built drones and surveillance towers instead.
Now, eight years later, the pissing contest has been resolved through partnership. Anduril has more people working on VR than Oculus did at the time of its acquisition by Facebook. The man who was fired from Meta for his politics is now building headsets with Meta for the United States Army. The red phone on his desk is no longer kitsch.
The Enthusiast and the Arsenal
It's easy to spot Palmer Luckey. He's the guy with the mullet and the goatee, almost always dressed in khaki shorts, flip-flops, and bright Hawaiian shirts. "This is one of my Dungeons & Dragons Hawaiian shirts," he explains on tours of Anduril headquarters. "You've got an elder dragon. You've got a fighter, a couple of wizards. I wear a lot of Hawaiian shirts because I like them, and I can get away with it."
He can get away with it because he's worth $2.5 billion. Also because the incongruity is itself a message — to the Pentagon brass in their dress blues, to the defense lobbyists in their Brioni suits, to the congressional staffers who have never seen a weapons contractor show up in flip-flops. The costume says: I am not from your world. I do not play by your rules. And I am winning anyway.
He pays himself $100,000 a year at Anduril. He owns six helicopters, including a Sikorsky UH-60 Black Hawk. A couple of diesel-electric submarines. A boat designed for inserting Navy SEALs into enemy territory. Decommissioned nuclear missile silos buried 200 feet underground across America, which he uses for storage and — one suspects — for the sheer nihilistic pleasure of it. Inside his waterfront home on the tip of Lido Isle at Newport Beach is a 30,000-liter saltwater aquarium built into the living room. His pet shark, Bonk — named for his tendency to knock into things — once lived there, but was eventually killed by his lobster, Mr. Lobster. "He's gone now," Luckey says mournfully. "He got into a King Kong versus Godzilla kind of fight with the lobster."
On Wednesdays, he dresses as his favorite Dungeons & Dragons character. His childhood hero was Seto Kaiba, the orphan in Yu-Gi-Oh! who runs a multinational gaming conglomerate and whose catchphrase is "You said tech has limits. Wrong." He cosplays as anime characters at Japanese conventions, including — most notoriously — a risqué interpretation of Quiet from Metal Gear Solid V, which he did because he loves cosplay and because he thought other people would enjoy it. After his firing from Facebook, he told a Japanese interviewer: "When I work I am extremely self-controlled. But when I am not working it is an entirely different story. I don't care about how people look at me and about how they think about me."
The statement is either deeply true or deeply false, and it is probably both. "I'm going to keep making things for the rest of my career," he told Fortune in 2024. "In order for me to do things, I need to convince people to work with me." This is the admission of a man who cares enormously about how he is perceived, disguised as the statement of a man who merely cares about getting things done. Luckey has worked hard to reconcile the two. He has not always succeeded.
He has been a Trump supporter since at least 2011, when he claims to have written to Trump and asked him to run for office. He donated $400,000 to Trump's 2024 campaign. He has been sanctioned by the Chinese government. He is, as of 2025, poised to become one of the most politically influential defense entrepreneurs in the country — a man with well over $1 billion in military contracts, weapons deployed in an active war, a direct line to the White House, and a company valued higher than the GDP of many nations.
The distance between the boy in the trailer and the man with the red phone is measured not in years but in the velocity of a particular kind of American ambition — the kind that does not distinguish between building a toy and building a weapon, because in both cases the animating impulse is the same. The impulse to make something that works, that is better than what came before, that makes the person who uses it feel more powerful than they are. Whether that something is a headset that shows you a dragon or a drone that carries a thirty-pound warhead is, in Luckey's cosmology, a question of application, not of kind.
He is thirty-two years old. His lobster killed his shark. The arsenal is just getting started.
